A large variety of martial arts originated in Japan. Most of them focus on self-defense rather than attacking. The Japanese term for summarizing these martial arts is “Budō (武道)”. Literally translated it means the “Martial Way”. The usage of term “budō” to mean martial arts is a modern one, and historically the term meant a way of life encompassing physical, spiritual, and moral dimensions with a focus of self-improvement, fulfillment, or personal growth. The terms bujutsu and bugei have more discrete definitions, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment.
Karate
Karate (空手) literally means “empty hand”. However, the word “karate” written with homophonic ideograms means “China hand”, rather than “empty hand”. It is also sometimes called “the way of the empty hand” (空手道 karatedō). Karate originated in Okinawa, formerly known as the Ryūkyū Kingdom, but now a part of present-day Japan. Karate is a fusion of pre-existing Okinawan martial arts, called “te”, and Chinese martial arts. It is an art that has been adopted and developed by practitioners on the Japanese main island of Honshu.Karate’s route to Honshu began with Gichin Funakoshi (船越 義珍 Funakoshi Gichin, 1868–1957), who is called the father of karate, and is the founder of Shotokan karate. Although some Okinawan karate practitioners were already living and teaching in Honshū, Funakoshi gave public demonstrations of karate in Tokyo at a physical education exhibition sponsored by the ministry of education in 1917, and again in 1922. As a result, karate training was subsequently incorporated into Japan’s public school system. It was also at this time that the white uniforms and the kyū/dan ranking system (both originally implemented by judo’s founder, Kano Jigoro) were adopted.
Karate practice is primarily characterized by linear punching and kicking techniques executed from a stable, fixed stance.
Many styles of karate practiced today incorporate the forms (kata) originally developed by Funakoshi and his teachers, and many different weapons originally used as farm implements by the peasants of Okinawa, such as the sai, sickle (kama), and quarterstaff (bō). Many karate practitioners also participate in full, light, and no-contact competitions.
Judo
Judo (柔道 – じゅうどう), literally meaning “gentle way” or “way of softness”, is a grappling-based martial art, practiced primarily as a sport. It contains substantially the same emphasis on the personal, spiritual, and physical self-improvement of its practitioners as can be found throughout gendai budō.
Judo was created by Kano Jigoro (嘉納 治五郎 Kanō Jigorō, 1860–1938) at the end of the 19th century. Kano was a brilliant martial artist educated at the Tokyo Imperial University. The combination of martial talent and formal education enabled Kano to take the koryū martial arts he learned (specifically Kitō-ryū and Tenjin Shin’yo-ryū jujutsu), and systematically reinvent them into a martial art with an emphasis on freestyle practice and competition. Kano devised a powerful system of new techniques and training methods, which famously culminated on June 11, 1886, in a tournament that would later be dramatized by celebrated Japanese filmmaker Akira Kurosawa (黒沢 明 Kurosawa Akira, 1910–1998), in the film “Sanshiro Sugata” (1943). In that tournament, fifteen of Kano’s students faced fifteen students from a rival jujutsu school. The result was two losses, one draw, and twelve victories for the judo students. Judo became an Olympic sport in 1964, and has spread throughout the world. Kano Jigoro’s original school, the “Kodokan”, has students worldwide, and many other schools have been founded by Kano’s students. Of particular note is Brazilian Jiu-Jitsu, which traces its history back to Kodokan judo practitioner Mitsuyo Maeda (1880–1941), who emigrated to Brazil in the early 20th century and taught judo there. Today, Brazilian Jiu-Jitsu is a practice distinct from Olympic judo, which is the predominant form of judo practiced.
Sumo
Sumo (相撲 – すもう), considered by many to be Japan’s national sport, has its origins in the distant past.
The earliest written records of Japan, which are dated from the 8th century AD, record the first sumo match in 23 BC,
occurring specifically at the request of the emperor and continuing until one man was too wounded to continue.
Beginning in 728 AD, the emperor Shōmu Tennō (聖武 天皇, 701–756) began holding official sumo matches at the annual harvest
festivals. This tradition of having matches in the presence of the emperor continued, but gradually spread, with matches also held at Shinto festivals, and sumo training was eventually incorporated into military training. By the 17th century, sumo was an organized professional sport, open to the public, enjoyed by both the upper class and commoners.
Today, sumo retains much of its traditional trappings, including a referee dressed as a Shinto priest, and a ritual where the competitors clap hands, stomp their feet, and throw salt in the ring prior to each match. To win a match, competitors employ throwing and grappling techniques to force the other man to the ground; the first man to touch the ground with a part of the body other than the bottom of the feet, or touch the ground outside the ring with any part of the body, loses. Six grand tournaments are held annually in Japan, and each professional fighter’s name and relative ranking is published after each tournament in an official list, called the banzuke, which is followed religiously by sumo fans.
Aikido
Aikido (合氣道 – あいきどう) is a Japanese martial art developed by Morihei Ueshiba (植芝 盛平 Ueshiba Morihei, 1883 – 1969). The art consists of “striking”, “throwing” and “joint locking” techniques and is known for its fluidity and blending with an attacker, rather than meeting “force with force”. Emphasis is upon joining with the rhythm and intent of the opponent in order to find the optimal position and timing with which to apply force. Aikidō is also known for emphasizing the spiritual and philosophical development of its students reflecting the religious background of its founder. Morihei Ueshiba developed aikido mainly from Daitō-ryū aiki-jūjutsu incorporating training movements such as those for the yari (spear), jō (a short quarterstaff), and perhaps also juken (bayonet). Arguably the strongest influence is that of kenjutsu and in many ways, an aikidō practitioner moves as an empty handed swordsman.
Kendo
Kendo (剣道 – けんどう), meaning the “way of the sword”, is based on Japanese sword-fighting. It is an evolution of the art of kenjutsu, and its exercises and practice are descended from several particular schools of swordsmanship. The primary technical influence in its development was the kenjutsu school of Ittō-ryū (founded c. 16th century), whose core philosophy revolved around the concept that all strikes in swordsmanship revolve around the technique kiri-oroshi (vertical downward cut). Kendo really began to take shape with the introduction of bamboo swords, called shinai, and the set of lightweight wooden armor, called bogu, by Naganuma Sirōzaemon Kunisato (長沼 四郎左衛門 国郷, 1688–1767), which allowed for the practice of strikes at full speed and power without risk of injury to the competitors. Today, virtually the entire practice of kendo is governed by the All Japan Kendo Federation, founded in 1951. Competitions are judged by points, with the first competitor to score two points on their opponent declared the winner. One point may be scored with a successful and properly executed strike to any of several targets: a thrust to the throat, or a strike to the top of the head, sides of the head, sides of the body, or forearms. Practitioners also compete in forms (kata) competitions, using either wooden or blunted metal swords, according to a set of forms promulgated by the AJKF.
Kyūdō
Kyūdō (弓道 – きゅうどう), which means “way of the bow”, is the modern name for Japanese archery. Originally in Japan, kyujutsu, the “art of the bow”, was a discipline of the samurai, the Japanese warrior class. The bow is a long range weapon that allowed a military unit to engage an opposing force while it was still far away. If the archers were mounted on horseback, they could be used to even more devastating effect as a mobile weapons platform. Archers were also used in sieges and sea battles.
However, from the 16th century onward, firearms slowly displaced the bow as the dominant battlefield weapon.
As the bow lost its significance as a weapon of war, and under the influence of Buddhism, Shinto, Daoism and Confucianism,
Japanese archery evolved into kyudō, the “way of the bow”. In some schools kyudō is practiced as a highly refined contemplative practice, while in other schools it is practiced as a sport.
Jujutsu
Jujutsu (柔術 – じゅうじゅつ jūjutsu), literally translates to “art of pliancy”. More accurately, however, it means the art of using indirect force, such as joint locks or throwing techniques, to defeat an opponent, as opposed to direct force such as a punch or a kick. This is not to imply that jujutsu does not teach or employ strikes, but rather that the art’s aim is the ability to use an attacker’s force against him or her, and counter-attack where they are weakest or least defended.
Methods of combat included striking (kicking, punching), throwing (body throws, joint-lock throws, unbalance throws), restraining (pinning, strangulating, grappling, wrestling) and weaponry. Defensive tactics included blocking, evading, off balancing, blending and escaping. Minor weapons such as the tantō (dagger), ryufundo kusari (weighted chain), jutte (helmet smasher), and kakushi buki (secret or disguised weapons) were almost always included in koryū jujutsu.
Most of these were battlefield-based systems to be practiced as companion arts to the more common and vital weapon systems.
At the time, these fighting arts went by many different names, including kogusoku, yawara, kumiuchi, and hakuda.
In reality, these grappling systems were not really unarmed systems of combat, but are more accurately described as means whereby an unarmed or lightly armed warrior could defeat a heavily armed and armored enemy on the battlefield. Ideally, the samurai would be armed and would not need to rely on such techniques.
In later times, other koryū developed into systems more familiar to the practitioners of the jujutsu commonly seen today. These systems are generally designed to deal with opponents neither wearing armor nor in a battlefield environment. For this reason, they include extensive use of atemi waza (vital-striking technique). These tactics would be of little use against an armored opponent on a battlefield. They would, however, be quite valuable to anyone confronting an enemy or opponent during peacetime dressed in normal street attire. Occasionally, inconspicuous weapons such as knives or tessen (iron fans) were included in the curriculum. Today, jujutsu is practiced in many forms, both ancient and modern. Various methods of jujutsu have been incorporated or synthesized into judo and aikido, as well as being exported throughout the world and transformed into sport wrestling systems, adopted in whole or part by schools of karate or other unrelated martial arts, still practiced as they were centuries ago, or all of the above.
Tags: aikido, budo, bugei, bujutsu, judo, jujutsu, karate, kendo, kyudo, sumo
Categorised in: Customs and Culture
This post was written by Mathew Ryan
A large variety of martial arts originated in Japan. Most of them focus on self-defense rather than attacking. The Japanese term for summarizing these martial arts is “Budō (武道)”. Literally translated it means the “Martial Way”. The usage of term “budō” to mean martial arts is a modern one, and historically the term meant a way of life encompassing physical, spiritual, and moral dimensions with a focus of self-improvement, fulfillment, or personal growth. The terms bujutsu and bugei have more discrete definitions, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment.
Karate
Karate (空手) literally means “empty hand”. However, the word “karate” written with homophonic ideograms means “China hand”, rather than “empty hand”. It is also sometimes called “the way of the empty hand” (空手道 karatedō). Karate originated in Okinawa, formerly known as the Ryūkyū Kingdom, but now a part of present-day Japan. Karate is a fusion of pre-existing Okinawan martial arts, called “te”, and Chinese martial arts. It is an art that has been adopted and developed by practitioners on the Japanese main island of Honshu.Karate’s route to Honshu began with Gichin Funakoshi (船越 義珍 Funakoshi Gichin, 1868–1957), who is called the father of karate, and is the founder of Shotokan karate. Although some Okinawan karate practitioners were already living and teaching in Honshū, Funakoshi gave public demonstrations of karate in Tokyo at a physical education exhibition sponsored by the ministry of education in 1917, and again in 1922. As a result, karate training was subsequently incorporated into Japan’s public school system. It was also at this time that the white uniforms and the kyū/dan ranking system (both originally implemented by judo’s founder, Kano Jigoro) were adopted.
Karate practice is primarily characterized by linear punching and kicking techniques executed from a stable, fixed stance.
Many styles of karate practiced today incorporate the forms (kata) originally developed by Funakoshi and his teachers, and many different weapons originally used as farm implements by the peasants of Okinawa, such as the sai, sickle (kama), and quarterstaff (bō). Many karate practitioners also participate in full, light, and no-contact competitions.
Judo
Judo (柔道 – じゅうどう), literally meaning “gentle way” or “way of softness”, is a grappling-based martial art, practiced primarily as a sport. It contains substantially the same emphasis on the personal, spiritual, and physical self-improvement of its practitioners as can be found throughout gendai budō.
Judo was created by Kano Jigoro (嘉納 治五郎 Kanō Jigorō, 1860–1938) at the end of the 19th century. Kano was a brilliant martial artist educated at the Tokyo Imperial University. The combination of martial talent and formal education enabled Kano to take the koryū martial arts he learned (specifically Kitō-ryū and Tenjin Shin’yo-ryū jujutsu), and systematically reinvent them into a martial art with an emphasis on freestyle practice and competition. Kano devised a powerful system of new techniques and training methods, which famously culminated on June 11, 1886, in a tournament that would later be dramatized by celebrated Japanese filmmaker Akira Kurosawa (黒沢 明 Kurosawa Akira, 1910–1998), in the film “Sanshiro Sugata” (1943). In that tournament, fifteen of Kano’s students faced fifteen students from a rival jujutsu school. The result was two losses, one draw, and twelve victories for the judo students. Judo became an Olympic sport in 1964, and has spread throughout the world. Kano Jigoro’s original school, the “Kodokan”, has students worldwide, and many other schools have been founded by Kano’s students. Of particular note is Brazilian Jiu-Jitsu, which traces its history back to Kodokan judo practitioner Mitsuyo Maeda (1880–1941), who emigrated to Brazil in the early 20th century and taught judo there. Today, Brazilian Jiu-Jitsu is a practice distinct from Olympic judo, which is the predominant form of judo practiced.
Sumo
Sumo (相撲 – すもう), considered by many to be Japan’s national sport, has its origins in the distant past.
The earliest written records of Japan, which are dated from the 8th century AD, record the first sumo match in 23 BC,
occurring specifically at the request of the emperor and continuing until one man was too wounded to continue.
Beginning in 728 AD, the emperor Shōmu Tennō (聖武 天皇, 701–756) began holding official sumo matches at the annual harvest
festivals. This tradition of having matches in the presence of the emperor continued, but gradually spread, with matches also held at Shinto festivals, and sumo training was eventually incorporated into military training. By the 17th century, sumo was an organized professional sport, open to the public, enjoyed by both the upper class and commoners.
Today, sumo retains much of its traditional trappings, including a referee dressed as a Shinto priest, and a ritual where the competitors clap hands, stomp their feet, and throw salt in the ring prior to each match. To win a match, competitors employ throwing and grappling techniques to force the other man to the ground; the first man to touch the ground with a part of the body other than the bottom of the feet, or touch the ground outside the ring with any part of the body, loses. Six grand tournaments are held annually in Japan, and each professional fighter’s name and relative ranking is published after each tournament in an official list, called the banzuke, which is followed religiously by sumo fans.
Aikido
Aikido (合氣道 – あいきどう) is a Japanese martial art developed by Morihei Ueshiba (植芝 盛平 Ueshiba Morihei, 1883 – 1969). The art consists of “striking”, “throwing” and “joint locking” techniques and is known for its fluidity and blending with an attacker, rather than meeting “force with force”. Emphasis is upon joining with the rhythm and intent of the opponent in order to find the optimal position and timing with which to apply force. Aikidō is also known for emphasizing the spiritual and philosophical development of its students reflecting the religious background of its founder. Morihei Ueshiba developed aikido mainly from Daitō-ryū aiki-jūjutsu incorporating training movements such as those for the yari (spear), jō (a short quarterstaff), and perhaps also juken (bayonet). Arguably the strongest influence is that of kenjutsu and in many ways, an aikidō practitioner moves as an empty handed swordsman.
Kendo
Kendo (剣道 – けんどう), meaning the “way of the sword”, is based on Japanese sword-fighting. It is an evolution of the art of kenjutsu, and its exercises and practice are descended from several particular schools of swordsmanship. The primary technical influence in its development was the kenjutsu school of Ittō-ryū (founded c. 16th century), whose core philosophy revolved around the concept that all strikes in swordsmanship revolve around the technique kiri-oroshi (vertical downward cut). Kendo really began to take shape with the introduction of bamboo swords, called shinai, and the set of lightweight wooden armor, called bogu, by Naganuma Sirōzaemon Kunisato (長沼 四郎左衛門 国郷, 1688–1767), which allowed for the practice of strikes at full speed and power without risk of injury to the competitors. Today, virtually the entire practice of kendo is governed by the All Japan Kendo Federation, founded in 1951. Competitions are judged by points, with the first competitor to score two points on their opponent declared the winner. One point may be scored with a successful and properly executed strike to any of several targets: a thrust to the throat, or a strike to the top of the head, sides of the head, sides of the body, or forearms. Practitioners also compete in forms (kata) competitions, using either wooden or blunted metal swords, according to a set of forms promulgated by the AJKF.
Kyūdō
Kyūdō (弓道 – きゅうどう), which means “way of the bow”, is the modern name for Japanese archery. Originally in Japan, kyujutsu, the “art of the bow”, was a discipline of the samurai, the Japanese warrior class. The bow is a long range weapon that allowed a military unit to engage an opposing force while it was still far away. If the archers were mounted on horseback, they could be used to even more devastating effect as a mobile weapons platform. Archers were also used in sieges and sea battles.
However, from the 16th century onward, firearms slowly displaced the bow as the dominant battlefield weapon.
As the bow lost its significance as a weapon of war, and under the influence of Buddhism, Shinto, Daoism and Confucianism,
Japanese archery evolved into kyudō, the “way of the bow”. In some schools kyudō is practiced as a highly refined contemplative practice, while in other schools it is practiced as a sport.
Jujutsu
Jujutsu (柔術 – じゅうじゅつ jūjutsu), literally translates to “art of pliancy”. More accurately, however, it means the art of using indirect force, such as joint locks or throwing techniques, to defeat an opponent, as opposed to direct force such as a punch or a kick. This is not to imply that jujutsu does not teach or employ strikes, but rather that the art’s aim is the ability to use an attacker’s force against him or her, and counter-attack where they are weakest or least defended.
Methods of combat included striking (kicking, punching), throwing (body throws, joint-lock throws, unbalance throws), restraining (pinning, strangulating, grappling, wrestling) and weaponry. Defensive tactics included blocking, evading, off balancing, blending and escaping. Minor weapons such as the tantō (dagger), ryufundo kusari (weighted chain), jutte (helmet smasher), and kakushi buki (secret or disguised weapons) were almost always included in koryū jujutsu.
Most of these were battlefield-based systems to be practiced as companion arts to the more common and vital weapon systems.
At the time, these fighting arts went by many different names, including kogusoku, yawara, kumiuchi, and hakuda.
In reality, these grappling systems were not really unarmed systems of combat, but are more accurately described as means whereby an unarmed or lightly armed warrior could defeat a heavily armed and armored enemy on the battlefield. Ideally, the samurai would be armed and would not need to rely on such techniques.
In later times, other koryū developed into systems more familiar to the practitioners of the jujutsu commonly seen today. These systems are generally designed to deal with opponents neither wearing armor nor in a battlefield environment. For this reason, they include extensive use of atemi waza (vital-striking technique). These tactics would be of little use against an armored opponent on a battlefield. They would, however, be quite valuable to anyone confronting an enemy or opponent during peacetime dressed in normal street attire. Occasionally, inconspicuous weapons such as knives or tessen (iron fans) were included in the curriculum. Today, jujutsu is practiced in many forms, both ancient and modern. Various methods of jujutsu have been incorporated or synthesized into judo and aikido, as well as being exported throughout the world and transformed into sport wrestling systems, adopted in whole or part by schools of karate or other unrelated martial arts, still practiced as they were centuries ago, or all of the above.
Tags: aikido, budo, bugei, bujutsu, judo, jujutsu, karate, kendo, kyudo, sumo
Categorised in: Customs and Culture
This post was written by Mathew Ryan